PATRICERATOPS

I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps. 

I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond. 

I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes, 

and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
like a puma in the barrens of Quitratue.

If the British have always tried to portray themselves as calm and sensible people, In The Loop throws all that work out the window. With style. And the Americans do a good job of keeping in step. If only I could have a pocket sized Malcolm Tucker (played beautifully by Peter Capaldi) so I could have him whisper insults, come backs and sarcasm in my ear. I’d never have a moment of pause again. I aspire to be as feared and revered as he is.

Gonna go make “Climb The Mountain of Conflict” bumper stickers now, with Christopher Waltz and Julie Andrews on it of course.  

Wes Anderson already did it in Rushmore, and he did it well. Ceremony hardly comes in second, more like walk out before you can see who wins. But the critics have already bashed it enough and i was taught unless I have something good to say not to say anything at all. So here are the positive notes…

-The art direction is fucking amazing. I want to live in this odd little world and kick everyone else out. We may hate “babies with money” but that doesn’t mean we don’t want to be one.

-Jake M. Johnson (of New Girl fame) as a drunk druggie. Sad and hilarious is hard to pull off, especially when everyone else is so concerned with themselves.

-Reece Thompson might have made the most disappointing film of all time (Rocket Science) but he was hardly to blame for this flop. Root for him.

-Fuck yea Lee Pace